installation/performance 2023.
Post-consumer fur garments, paper, paint, ceramics, animal pelts, audio, 2 performers.
Luxury Goods is an installation activated by performance that explores humans relationship
with animals. The work reflects upon fur and other commodities related to social status and economic power.
Installation 2022
96″ x 96″ x 60″
Porcelain, glazed ceramics, audio (of ringing and busy phone), wooden side table, velvet drape.
Part waiting room, part mortuary. Nature is calling.
Public Art Project 2022.
The project includes an installation of post-consumer garments, decomposition tags, performance and a publication about the history of textiles and and fashion sustainability. The work considers the relationship between glamor and waste.
Hothouse for the Flora of Our Own Making(or the fruit of our convenience)
Site-specific installation, Maryland 2019
516″ x 120 x 180″
clear polyethylene #4 repurposed plastic, wood, filament and light 
The artwork is a spectacle of endless consumption and a reminder of how a material of our own design has become a staple of our environment and is rapidly transforming the natural world.
The installation juxtaposes the flora of the natural world, as evidenced in the lush plant life of Ladew’s Gardens, with an illuminated, ethereal hothouse of polypropylene vegetation-a human creation.
installation/performance 2019
neon sign, neon lighting, clothing rack, wire hangers, filament, collected used dry-cleaning bags, sound, 4 performers. The work is an installation by day and in the evening a participatory theatrical event. This installation, located in a gallery storefront, takes the form of a conceptual dry cleaner shop. Composed of thousands of low density polyethylene (the clear plastic used to package “clean” garments). The work reflects on the ubiquitous cleaners of our urban landscape and emphasizes the ever growing problem of LDPE plastic #4 and the use of perchloroethylene, a known toxin, to clean wearables.
(dirty~clean)Cleaners is activated with intermittent performative events. The installation considers the after-life of human made materials related to domesticity. During the performance, Sisyphean cleaning clerks endlessly fold, process and roll the ghosts of our laundry.
