Sculpture 2023
Wood, metal foil, fabric, video, light
23’ x 23’w x 9’ht.
Compass is a sculpture inspired by the magnetic fields
of the earth. The work considers location as
it relates to migrating patterns of flora and fauna
and reflects upon humankinds navigational direction
of the natural world.
installation/performance 2023.
Post-consumer fur garments, paper, paint, ceramics, animal pelts, audio, 2 performers.
Luxury Goods is an installation activated by performance that explores humans relationship
with animals. The work reflects upon fur and other commodities related to social status and economic power.
Installation 2022
96″ x 96″ x 60″
Porcelain, glazed ceramics, audio (of ringing and busy phone), wooden side table, velvet drape.
Part waiting room, part mortuary. Nature is calling.
installation/performance 2019
neon sign, neon lighting, clothing rack, wire hangers, filament, collected used dry-cleaning bags, sound, 4 performers. The work is an installation by day and in the evening a participatory theatrical event. This installation, located in a gallery storefront, takes the form of a conceptual dry cleaner shop. Composed of thousands of low density polyethylene (the clear plastic used to package “clean” garments). The work reflects on the ubiquitous cleaners of our urban landscape and emphasizes the ever growing problem of LDPE plastic #4 and the use of perchloroethylene, a known toxin, to clean wearables.
(dirty~clean)Cleaners is activated with intermittent performative events. The installation considers the after-life of human made materials related to domesticity. During the performance, Sisyphean cleaning clerks endlessly fold, process and roll the ghosts of our laundry.
Teetering X Tottering (on the brink)
Sculpture 2015
96″x 192″ x 96″
Wood, water, repurposed bottles, micro-controllers, sensors, speakers, LED’s
YNot Lot, Baltimore, MD
Teetering X Tottering (On the Brink)—is a kinetic sculpture that invites the viewer to balance up or down creating an experiential awareness of water as a shared resource.The participants balancing movement on the structure triggers an audio response that fluctuates between the sound of the water in the sculpture and the field recordings of fish common to the Mid-Atlantic region. Through movement and sound the sculpture connects the participant to the natural world.
